"To represent is already a murder." —Georges Bataille, 1952

with the great Mairead (@20000TinyJars)

"Puppets, mannequins, waxworks, automatons, dolls, painted scenery, plaster casts, dummies, secret clockworks, mimesis and illusion: all form a part of the fetishist’s magic and artful universe. Lying between life and death, animated and mechanic, hybrid creatures and creatures to which hubris gave birth, they all may be liked to fetishes. And, as fetishes, they give us, for a while, the feeling that a world not ruled by our common laws does exist, a marvelous and uncanny world." Janine Chasseguet-Smirgel

With the great Neil Bahadur​ http://nbahadur.tumblr.com/

"The humility of his pain made me feel ashamed. In order to leave him without remorse I insulted him. I was able to do so since he loved me to the point of devotion. He gave me a woebegone look, but it was charged with a poor wretch's hatred" - Jean Genet, Thief's Journal

"Secrecy is as indispensable to human beings as fire, and as greatly feared. Both enhance and protect life, yet both can stifle, lay waste, spread out of all control. Both may be used to guard intimacy or to invade it, to nurture or to consume it." - Sissella Bok, 1982

"There had been blood. Money and blood. All shoptalk, all expertise had a quality of battle about it, of exultation in the escape from danger. Something was always at stake, every moment you lived. No one could ever really afford to tell the truth. Even after hours, when the store was closed. But sometimes the truth was so good you couldn’t keep it to yourself" - Stanely Elkin, A Bad Man

"... consider how the female body is made to materialize monstrous qualities by systems of power claiming knowledge of its corporeal signs, how these monstrous qualities are marked as secrets, and how these monstrous secrets become a commodity to be dispensed within these same systems of power. " - Sarah Allison Miller, Medieval Monstrosity and The Female

"Pain seems to play a part in the process, and the way in which we gain new knowledge of our organs during painful illnesses is perhaps a model of the way by which in general we arrive at the idea of our own body" - Freud, The Ego And The Id

"...the menace is more stimulating when you're not confronting it up close" - Kathe Kollwitz

"But seriousness commands us to recognize that it’s the multitude of laws that is responsible for this multitude of crimes."
- Marquis de Sade

"Waving his arms about, slowly. The music’s getting hotter. He stares out over his arm, half in the dark, he looks, his look is, incredibly intense. The fire comes back faint, then stronger. He seems to be wavering on the spot, half hunched-up, his arms close in to his chest. It’s like he’s doing some strange dance but he can’t quite balance" - Fionna Banner, The Nam